Because over 50% of my business involves some sort of editing, I often get emails out of the blue asking for editing help. These inquiries typically look something like this:
“Hello, I have a manuscript I’ve just completed, and I need someone to look it over before I send it to a publisher. How much do you charge for editing?”
In response, I have to answer…
“It depends on what kind of editing you need.”
The reply back is normally…
“Well, I don’t know. I just need it to look good.”
It’s very difficult for me to offer a quote with this information. There are many kinds of editing, each having a specific goal, and usually, a different price tag. In Part 1 of this Editing Series, I will present an overview of 3 major types of editing. To be technically correct, these 3 types are broken into even smaller subsections, but I’ve found from a practical standpoint of actually doing the work involved with each of these 3 types, I always include the corresponding subsections in my editing as well.
From broadest to most specific, these 3 areas of editing are:
1. Substantive Editing (I sometimes refer to this as Content Editing when speaking to clients because it better describes the type of editing it is.):
This is the first phase of editing, typically done after the final version of the rough draft is completed. In this phase, an editor will focus on overall organization, presentation, and clarity of the manuscript. This will look very different for fiction vs. nonfiction works. I’ll talk more about the specific elements of each in my next post, but as an overview, some things an editor will look for in this phase include: the flow and transition of paragraphs and thought, consistencies in characters’ dialects, character development, point of view shifts, organization of chapters, use of techniques such as flashbacks, and other such big-picture ideas.
2. Copyediting or Line Editing (Some people call this Manuscript Editing, but to me that’s a pretty vague term and makes this process even more confusing!):
This editing phase will occur after the author has reworked his manuscript based on the editor’s changes and suggestions from the substantive edit. At this point, the manuscript is in its final form from the author’s standpoint. In this phase, the editor will scrutinize the manuscript line by line, searching for things such as: style consistency (including adherence to a house style if necessary), use of redundancies or repetitive words, accuracy of reference notes and tables, proper punctuation, sentence structure, proper grammar, and spelling. The main goal with a copyedit is clarity. It is the editor’s job to make the manuscript as clear and readable as possible, without usurping the author’s voice and style.
3. Proofreading (Technically, this is not really editing, but it is part of the editing process–or should be–for every manuscript.):
Proofreading is the final stage of the editing process and is often done more than once. At publishing houses, manuscripts are normally proofread three times, each time by a different person. Proofreading normally takes place immediately before and then after a manuscript has been formatted for publication. Proofing is the nitty-gritty phase of editing, where editors (some editors don’t do proofreading but will pass the manuscript onto those who specialize in proofing) focus on all the details of the manuscript. Some of these details include: typos, misspellings, punctuation, errors in reference notes, proper pagination, errors in headings/footers, and overall formatting and visual issues.
In my next post, I’ll begin looking at each of these areas in more detail and include tips for self-editing at each stage as well as suggestions on how to find professional help when you need it.